WELCOME!

This is an ongoing US and global project to help enthusiasts, scholars, practitioners, and curious parties learn more about shamanic living in a contemporary culture. The space here is devoted to sharing info, experiences and opinions about all forms of shamanic expression covering shamanism's multiple permutations. Among subjects explored are traditions, techniques, insights, definitions, events, artists, authors, and creativity. You are invited to draw from your own experiences and contribute.

What is a SHAMAN?

MAYAN: "a technichian of the Holy, a lover of the Sacred." CELTIC: "Empower the people...by changing the way we think." MEXICAN APACHE: "Someone who has simply learned to give freely of themselves..." AUSTRALIAN ABORIGINAL: "...a teacher or healer, a wisdom keeper of knowledge... (who) takes people to a door and encourages them to enter." W. AFRICAN DIAGRA: "views every event in life within a spiritual context." HAWAIIAN: "...human bridges to the spiritual world and its laws and the material world and its trials..." QUECHUA INDIAN: "embodies all experience." AMAZON: "...willing to engage the forces of the Universe...in a beneficial end for self, people, and for life in general."


-- from Travelers, Magicians and Shamans (Danny Paradise)

Showing posts with label Bali. Show all posts
Showing posts with label Bali. Show all posts

Tuesday, July 26, 2011

Radio Show: Why Shamanism Now?

Christina Pratt, expert shaman, Qi Gong teacher, and author of the mammoth Encyclopedia of Shamanism, has been hosting her own online radio show, Why Shamanism Now?, since April of last year. You can listen to it here live every Tuesday at 11 a.m. (Pacific Time).

This week (today), Pratt hosts film producer, Dan McGuire, to “explore the world-view of Balinese healers and their attitudes towards sickness, health, and the healing power of transformative ritual.” A subject of importance since Bali is one of the few societies left where the shaman is revered (you can read about my experience with a Balinese healer, Jero Ayu, here).

“Through the story of Mangku Pogog, McGuire illustrates the effect of globalization on the belief systems of traditional people and poses the questions: What new challenges are presented to traditional healers as people come for healing with different worldviews and diverse beliefs about healing? Will traditional wisdom survive or be changed by “spiritual tourism?” McGuire, a journalist with many years experience in Indonesia is currently completing his documentary “Balian”.

A shamanic practitioner for 21 years, Pratt calls herself an authentic, non-traditional contemporary shaman and is the founder of the Last Mask Centers for Shamanic Healing

Archives of her prior shows are available here. Here are some of the more interesting titles:

The Power of Joy
What is a Wounded Healer?
Shamanism and the Spiritual Warrior
Why You Need to Heal Your Ancestral Lines
Vitality and Life Force of Your Purpose
Transforming Pain

Saturday, May 28, 2011

Yoga Meets Shamanism: Danny Paradise


At the BaliSpirit Festival this year, I met my first yoga master who openly incorporates shamanism into his yoga practice and instruction. With 35 years experience as a yogi, American Danny Paradise is also a gifted musician, philosopher, political commentator and practicing shaman. He believes “yoga is shamanism,” because “both are about healing and awakening the body.”

Danny is an advanced master of Ashtanga Yoga, which is among the most physically demanding forms of yoga around. He balances out Ashtanga’s intensity by encouraging “a sacred, safe, meditative, healing, joyful, expanding, and pain-free,” practice for himself and his students.

A YOGI AND SHAMAN?
Danny's shamanic experiences draw from the wisdom of various indigenous cultures including those of Hawaiian, Mayan and Native North and South American cultures. “It’s the same exploration all over the world,” he says, “we’re all part of nature, so we’re all part of Spirit.”

Danny links yoga and shamanism especially because of the underlying spiritual lineage of both, calling shamanism “the root of all religions,” and describing yoga as a way to “allow clarity to increase, and to step outside the regular order of things.”

“They have a crossing over point,” Danny says, “they both explore deeper levels of consciousness… These are sophisticated practices.”

While yoga is normally more physical in nature than shamanism, Danny talked about the inextricable link that unites both, “You can’t separate spirituality from humanness. If you start with the bones, human breath, your intuitive nature, then you are in tune with the shamanic realms,” he affirmed.

ACTIVE ENGAGEMENT IS YOGIC
Paradise also devotes time to expanding his knowledge of history, power politics, self-development and other fields. He promotes community activism and personal education as well as spiritual and physical practices in his classes too, which may start with a group discussion about spirituality, yogic and shamanic values, philosophy or the current world order.

During his class sessions he may also cite authors, share his definitions of shamanism, or give his students a reading list handout, which contains his favorite texts on shamanism and yoga.

BODY-MIND-SPIRIT
Many of us in the West start practicing yoga strictly as an alternative physical fitness exercise. Danny Paradise reminds us that doing yoga is not just about getting in shape or even closing our eyes and meditating—there’s something special about synching both. The ancients likely realized this.

It’s the movement-meditation, body-mind combo that is integral to Yoga, Qi-Gong and other similar physio-spiritual practices that, I believe, make them significant doorways to the creative realms/Spirit worlds.

Could growing interest in these forms be related to a blending of the body-mind in a way that supports a more direct experience of the divine/shamanic? Yes, I think so.

By emphasizing shamanic awareness through yoga, I believe Danny Paradise is signaling to us that making contact with our bodies in a mindful way creates a potent opening to energy, power, and information.

The benefit of mainstream yoga in this age is that Spirit can be accessed more readily by larger numbers of people—sometimes intended; other times not. Either way, yoga supports an expanded state of mind, which, in my view, and perhaps Danny’s too, can be the gateway to a deeper and more fulfilling co-existence with our inner and outer worlds.

For more information on Danny Paradise, visit his website at: http://www.dannyparadise.com/

Thursday, March 3, 2011

Balinese Mystic Jero Ayu


Last month, I met twice with Jero Ayu. She is a young mystic, who is reported to be highly respected by Bali’s Hindu clerical establishment. For a prodigy to take the island’s ancient religious order by storm is no small task.

Ayu endured a tragic childhood and gained her extraordinary ability to channel and memorize ancients texts mysteriously after falling ill and sinking into a coma. When she returned to consciousness, she claimed she was able to "communicate with spirits." She apparaently went on to passed tests of knowledge, religious scholarship and spiritual wisdom--all after only a week of training-- a monumental achievement that normally takes priests-in-training 10 years to complete.

According to one source, after Ayu experienced her near death episode that sent her into a coma for days, she gained an uncanny ability to recite ancient mantras and sacred texts by heart, as well as an incredible knack for speaking the Chinese language fluently—she was reported to have been a poor Balinese native prior to these events, who had never left the island let alone be exposed to other languages.

It was said that Ayo had activated the incarnation of a spiritual master when she almost died, and took on the essence of "Kuan Yin," a Buddhist figure of compassion. Her subsequent feats of healing and mastery of the ancient texts and rites made waves, and elevated her personal shrine into a place of pilgrimage for Hindus and Buddhists alike. She now receives visitors from all over Asia.

During my brief visit with her, which included a Full Moon ceremony, I watched her as she channeled different energies, and conducted healings and offered blessings for those who came to her.

Balinese Hinduism is a special blend of two indigenous spiritual traditions from India—Hinduism and Buddhism. Indonesia recognizes 5 official world religions—Islam, Hinduism, Catholicism, Christianity, and Buddhism. On Bali, one of Indonesia’s smallest islands and popular tourist destinations, ceremony and spirituality are a big part of life. It seems that at every corner, there is a shrine, temple, sacred carving, or an offering being shared with the Spirits. Bali is also known for its prolific mysticism, popularized by Laurence Blair's "Ring of Fire" and Elizabeth Gilbert's "Eat, Pray, Love."

When I arrived at Ayu's temple residence after a breathtaking motorcycle ride through the Balinese countryside, I could tell that there was something special and ancient about the energy in her compound. It made me pause, smile, and breathe deeply in acknowledgement. Others were waiting to be blessed by Ayu when I got there, including priests who were much older and more established. I sat at a balee close to the mouth of her shrine next to an older man who was a credentialed priest. He had arrived especially for her. We talked about his reasons for visiting against the backdrop of a 12-second pre-recorded Chinese mantra, which looped over and over. The words of the mantra paid homage to Kuan Yin and after a while created a hypnotic atmosphere.

Before I was given the go ahead to enter the shrine area for prayer, blessing, and meditation, Ayu personally approached me and gave me a warm welcome. Her handshake was gentle and tender. I thought I sensed an electrical charge go into my body when we made physical contact. She definitely had a strong presence.

I noticed that Ayu’s shrine was adorned with the color red, with many Chinese decorations—it was a totally different environment than any other Balinese holy site I had encountered, but her traditional clothing along with the dress of her visitors clearly suggested that she and her guests were all Balinese Hindus.

I thought at first that the unfamiliar décor and Chinese recording might have been a special way to celebrate the Chinese New Year. When I finally got a closer look, I realized that this was the normal view of the shrine. I must have witnessed a half-dozen images of Kuan Yin posted all around the area of worship. There were also other shrine elements that drew from Buddhism, Daoism, and Hindu mythology, as well as flowers, incense, and holy water containers.

My guide and friend, who was one of her followers, explained to me that Ayu united three energies—those of: Kuan Yin, Shiva (who is said to be present in Bali’s Mount Agung), and a well known Balinese water goddess. Three different forces and energies united in one. When I visited her again at night, I finally witnessed her channel Kuan Yin.  Later that same evening she also took on what came across to me as a more irreverent male energy-- a spirit who appeared to represent wealth or commerce— With her eyes still closed, Ayu proceeded to light a cigarette and down two shots of liquor and take on an entirely different persona.

Whenever she would slip into her alternative identities, the crowd around her would huddle together, all eager to receive a nugget of wisdom or advice from the visiting energy she was reportedly channeling.

We proceeded to make an offering, receive a blessing, meditate, light incense, and pray. Afterwards, I received a personal blessing and message from Ayu and was sent away with a smile, a meal, and an invitation to return any time.

I saw that Ayu’s youthfulness kept an atmosphere of lightness and friendship among her visitors. Although I could not understand a word she said, she did not set herself apart from the rest the way some priests do and often joked and made her visitors feel at ease with humor and cheerful banter. Occasionally, Ayu would sit behind other meditators and place her hands at either side of their spine in what looked like an energy transfer.

I believe that Ayu may have undergone one of those radical shamanic experiences or awakenings that cracked her open and initiated her as a human bridge to the spirit world. She emerged from her traumatic episode with a knowing and a power that allowed her to introduce a unique combination of elements to an ancient culture. Her status among the priests allowed her to safely advance and share her shapeshift experiences with her people-- a rare occurance. While winning over the religious establishment with her wisdom, was a stunning enough feat all on its own, fortunately for her, the institutions of worship from her society opted to support and integrate her powers, and open up space for her unique mystical gifts to thrive. As a result, she now provides an alternative for worshippers on the island, seemingly without threatening her peers or the current order. But who really knows if there are those who feel threatened?

Ayu is said to be preparing for a visit to other parts of the world, including Australia and China.

Wednesday, June 9, 2010

Alex Grey Retreat Reflections




I had the pleasure of staffing a creative retreat with internationally renowned artists, Alex and Allyson Grey, and wanted to provide a brief write up of my rich experience in their company.

Alex Grey's work has been described as psychedelic, shamanic, clarevoyant, spiritual, visionary, life altering and an exploration of polarities. He has developed art work and set designs for bands such as Tool and Nirvana and he teaches workshops for the Omega Institute in New York.

As a person, Alex is kind, extremely contemplative and sensitive. A soft spoken, philosophical and spiritual scholar as well as accomplished artist, he carries great hope for the future of human consciousness.



Both he and Allyson were a source of inspiration and wisdom throughout the 10 day experience; and although Alex welcomed interaction with others in the group, he seemed more at ease when sketching, reflecting or writing in his own quiet solitude.

My impression of Alex as an artist is that he has an advanced capacity to access his own unique and authentic power source. You might call it a symbiotic connection with the higher self that merges the inner and outer (nonphysical) realms-- or a fully developed "secret language" as his wife Allyson might put it. Grey's vision and perception allow him to channel information from those unseen worlds to the physical one, as a conduit or bridge-- finding a way to capture and bring back his encounters and share them on the canvas. One might call Alex Grey one of the few visual ambassadors to the spirit world doing integrative spirit work.



A fan of Ken Wilbur's philosophical writings, Grey told me that he was testing applications of Wilbur's theories on the world of art and artists. He commented that each person's version of how the world is perceived and experienced is simultaneously individual and collective. The conversation with art is a question of getting from one to the other and cycling back again, according to Grey. Much of the forward motion along this cyclical progression hinges on how far the artist is willing to take their visions from the conceptual inner world to physical manifestation, dissemination and openness to societal scrutiny.

In consideration of art as a healing expression, it strikes me that getting out of the "spirit" or "world inside the head" and into physical form is the most essential stage for anyone with a creative story trapped within them. Some are content and at peace even if their art fails to see the light of day, just to give form to their thoughts.

It may be more about honoring and expressing the energy that spawned the creative impulse in the first place than trying to carry it out into the outside world for me. That being said, it's only when I produce and receive feedback about how my art is received that I get a better idea of how to package and refine my secret language to better communicate my individual creative world's contents.

What I most admire about Alex is his awareness of the depths of his responsibility as an artist and healer. He understands that his gifts have launched him into a position of service that comes along with success.



It may be this call to service that explains why both Alex and Allyson are intent on helping to build a bridge between mindscape and physical reality for others through their workshops and other projects. Their workshops, for example, each start with a guided meditation or journey through the individual's inner world, placing focus on allowing the artist to feel stillness, safety, and peace; to better capture essential inner symbols and images. The Greys understand that laying emphasis on clearing and opening the mind to its natural creative power is the best and perhaps only way to unearth the artist and her abundant supplies of artistic treasure.

Anyone who has developed a craft, found their unique creative voice and who feels compelled to deliver their message has the rare ability to give form to the formless; therein, I believe, explains Alex Grey's popularity and the love he receives from his supporters.

The Greys are touring the world to lead workshops for other artists and to build a network of support for their vision in progress, which they call the Chapel of Sacred Mirrors (COSM)-- a place for artists to come together to promote spiritual and creative integration and expression. This is a multimillion dollar project and it is still in its fledgling phases, but land just outside Manhattan has been purchased and the design for the chapel is already complete.

I am deeply grateful to the Greys for sharing their time and insights. I wish them the very best in fulfilling their important vision and invite you to be part of the COSM project. Visit their website for more information and upcoming events.
 
Thanks to Chris, Jessa and Joe for sharing their pictures with me.